DEC09/JAN10
October/November 2009
August/September 2009
April/May 2009
February/March09
A trio finds ways to transform the writers’ room into a suspense thriller. little guy against corporate colluders is the neat paradox that gives Damages its edge. The rest unfolds as densely plotted, and entertainingly fantastical, white-collar con- spiracy. To unpack the process of writing Damages, then, is to return, over and over, to that issue of what the creators knew and when they knew it. Do they risk improvising all those plot twists on the fly, given how interconnected the deceptions are? Exactly when on the creative need-to- know continuum did the Damages guys decide to bring back their besotted CEO Arthur Frobisher (Ted Danson), (From left) Todd A. Kessler, Daniel Zelman, and Glenn Kessler
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